'I think the way to enjoy Dhadak is to completely forget about Sairat. But those of us who’ve seen Sairat know that this is impossible. Because Nagraj Manjule’s 2016 Marathi film was a landmark. Shashank is the successful maker of frothy romances. Here he steps out of his comfort zone but not enough to tackle head-on, the ugly truth of caste. The hurdles are more palatable and consequently, synthetic. I had described his second film Badrinath Ki Dulhania as a dose of feminism-lite. Well, think of Dhadak as Sairat-lite. Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Visit us at http://filmcompanion.in Do Like, Share, Comment & Subscribe to our channel. Subscribe: http://bit.ly/FCsubscribe Follow Us On: https://www.facebook.com/filmcompanion https://www.twitter.com/filmcompanion http://instagram.com/filmcompanion The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the compete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we asset our use of the works under the exception provided for criticism and review.'
Tags: film , Ishaan Khattar , Janhvi Kapoor , Dhadak , Companion , dharma , nagraj manjule , sairat , Shashank Khaitan
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